Double Trouble - Otis Rush - 1956-1958 His Cobra Recordings (CD)

Download Double Trouble - Otis Rush - 1956-1958  His Cobra Recordings (CD)
Label: Flyright Records - FLYCD 01 • Format: CD Compilation • Country: UK • Genre: Blues • Style: Chicago Blues


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9 thoughts on “ Double Trouble - Otis Rush - 1956-1958 His Cobra Recordings (CD)

  1. Otis Rush's debut recordings for the Cobra label are defining moments of Chicago blues. Seldom had a young Windy City artist recorded with this much harrowing emotion in both his singing and playing, simulataneously connecting with the best that Delta blues had to offer while plunging headlong into the electric future/
  2. Otis Rush - the first of the legendary young guns on the blues scene in Chicago's West Side in the late s to hit beyond the home turf (with the incandescent "I Can't Quit You, Baby") - has also had the hardest time topping his earliest recordings/5(18).
  3. View credits, reviews, tracks and shop for the CD release of Cobra Recordings on Discogs.4/5(1).
  4. Rush, Otis - Otis Rush, Cobra Recordings - Music Skip to main content Otis Rush, Cobra Recordings Otis Rush Format: Audio CD. "Double Trouble" is doomy and stirring. Several tracks are producer's attempts at more commercial sounds for Rush, and though they are nowhere near as good, they're a welcome /5(6).
  5. Apr 19,  · Otis Rush, His Cobra Recordings, a Compilation of songs by Otis Rush. Released in on Flyright (catalog no. FLYCD 01; CD /5(6).
  6. "Double Trouble" is a blues song written and recorded by Chicago blues guitarist Otis Rush in Since its release as a single in , the song has been recorded by several blues and other artists, including several versions by Eric Clapton. Stevie Ray Vaughan named his band "Double Trouble" after Rush's song. In , Rush's original version was inducted into the .
  7. Discogs: CD, Cobra Recordings. リリースのクレジット、レビュー、トラックを確認し、購入。4/5(1).
  8. Otis Rush Jr. (April 29, – September 29, ) was an American blues guitarist and singer-songwriter. His distinctive guitar style featured a slow-burning sound and long bent qualities similar to the styles of other s artists Magic Sam and Buddy Guy, his sound became known as West Side Chicago blues and was an influence on many musicians, including .

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